A new, very pleasant surprise comes from Andrea Bacchetti’s tireless fervour, a pianist who – after the rare proposal of Cherubini’s  master work – now presents as a well-selected anthology of Galuppi’s playings.
If for Cherubini they were the beginnings – a bit green – of a great musician who would reveal his brilliance in theatre production, in this case the path leads has in media res, in the heart of the very wide “Buranello”’s production, letting as know how the musician’s creative imagination had developed also through the keyboard.
An extremely rich side that remained like  wrapped in the shade from which

only rare fragments had come to light, the most celebrated are the two sealed by Benedetti Michelangeli’s sound magic.
Now Bacchetti leads us in this more than interesting journey, articulated a long many decades of industrious-ness of the Venetian musician and so reflecting the sensitive stylistic evolution in harmony with the slight – but for this reason not less incident – changing of the taste of that season, and it does he with the communi-cation skill of his “pianismo” as much clear as speckled by imaginative solicitations that we have already appreciated in many Bach’s evidences.